Texts: Meera Menezes
“To bring a kind of closure to these violent acts, Mahula places transparent, fibreglass coffins within the gallery space as if offering places of repose. These final resting spaces, however, bear no bodies or bloodied remains. Instead the artists subverts them to enshrine objects- a bowl or cup symbolic of Islamic art and a pedestal that would normally serve to hold the Quran or a holy book. By doing so she seeks to question our cliches and the media portrayal of Islamic terrorism and points us gently instead to Islam’s tremedous contribution in developing a syncretic culture. She turns the viewer's gaze to the uplifting aspects of Islamic design and art forcing us to ponder on its contribution to literature, poetry, painting and architecture. Her line of questioning cautions us about the simplistic Weltanschauung portrayed by the media at large and the generalization it endangers.”
(excerpt from the catalogue essay titled, Emblem of Fear, by Meera Menezes)